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The Los Angeles Times Bestseller (in both hardcover & paperback)

The only known novel (in any language) about Russian immigrant Jews, the aviator Charles Lindbergh, and an Eminem-impersonator who performs on the NYC bar mitzvah circuit.
BUY IT HERE
(Plume/Penguin * ISBN 978-0-452-28806-5 * $14)
* * *
Lipshitz 6 a "Star Pick" in PEOPLE Magazine
Lipshitz 6 Wins the NewNowNext Award
Lipshitz 6 honored by THE 2006
BELIEVER Book Awards (May '07 issue)
Lipshitz 6 named as one of the Best Books of 2006 by the Austin Chronicle
Lipshitzes hit PAPERBACK ROW in New York Times (Feb 11, 2007)
Penguin PODCAST with
T Cooper HERE
Free READERS GUIDE here
PRAISE for LIPSHITZ SIX, OR TWO ANGRY BLONDES:
"What distinguishes Cooper's take [on the
European Jewish diaspora] is its utter lack of sentimentality. No
overbearing but ultimately well-meaning Jewish mother figures in
Lipshitz Six. Instead, we get Esther Lipshitz... Not since
Sophie Portnoy has there been a Jewish mother from quite the same
place in hell... This kooky but strangely compelling story...is
further enhanced by Cooper's considerable descriptive powers,
which bring to life such varied tableaus as a Russian pogrom, a
Lower East Side gang fight and a Lindbergh rally in Oklahoma
City... [T]he story of Esther...resonates long after the
book has been closed." --The New York Times Book Review
"Whether it's enjoyed as an immigrant saga, a multigenerational
family tale or a sly commentary on the phenomenon of fame in our
time, Cooper's novel reveals a fresh, engaging voice that will
capture the reader's imagination from the first word and hold it
to the last." --Book Page
"Cooper's storytelling skills are phenomenal. She effortlessly
shifts perspectives, from the unhappy Esther and her downtrodden
husband to their gay son, before switching to first person for the
coda. Throughout, her experiments are divine: They serve to make
this peculiar family feel real." --Time Out New York
"Cooper takes apart the usual Jewish heritage tale and themes of
assimilation, touching them with postmodern parody and
Chagall-esque folk magic." --Publishers Weekly
"If sexual identity can be cooked up into myriad forms, like rice
into sticky balls or candy or paper, and anything categorized as
autobiography nowadays is met with skepticism, how do we confront
a work that's part dark history and part light-hearted,
self-conscious, gender-flexing fiction? T Cooper's second book
conjures the conundrum--and casually shrugs it off...
"Full of weary father figures and aptly placed metatextual
embellishments, the [first] section [of the novel] could stand
alone. But a shorter, codalike section infuses the work with a
staggering self-confidence...
"The way Cooper toys with readers is part Sarah Silverman and
part Jonathan Safran Foer. Obscuring gender in fiction is nothing
new, but Cooper hits her puckish stride when roiling her
audience, and then (usually) letting it in on the joke." --The Believer
"Cooper has an affinity for creative liberties, even in
anything-goes 21st-century fiction, liberties of a stunning
sort... This is not another generic everyday family saga, not when it
starts in the Russian pogroms, jogs past Charles Lindbergh and
closes with a guy who impersonates rapper Eminem at bar mitzvahs." --Seattle Post Intelligencier
"T Cooper strews ambiguity like clues at a crime scene throughout
Lipshitz Six, or Two Angry Blondes... The Lipshitz story
is brilliant, and the post-modern coda...offers up a surprising
conclusion." --Texas Monthly
"The author's talent lies in his ability to capture the endlessly
complex nature of families and their shared memories." --The Washington Post
"A very weird and wonderful quasi-epistolary, quasi-postmodern novel." --The Santa Fe Reporter
"T's ambitious second novel... [is] in the mold of Jeffrey Eugenides' Middlesex... Gripping." --Booklist
"Flouting literary convention (hurrah)... Acutely and poignantly
brings family history into the infinitely complicated present." --Out Magazine
"T Cooper takes postmodern literature to a new pinnacle with this
second novel, putting Cooper on par with an elite group of
authors like Jonathan Franzen, Dave Eggers, and Jonathan Safran
Foer." --Bitch Magazine
"One of the author's strong suits is her people, and she keeps
their multiple storylines juggled in the air... Lipshitz Six is
a haunting look at the legacy of lost children--those who go
missing, those who are murdered, or those who are simply lost to
themselves through neglect. Cooper is best when she levels her
steady gaze on them, as she does... in the harrowing aftermath of
a pogrom. Which is to suggest not that she limit her experimental
streak--she's too good and too ambitious a novelist for that." --The Forward
"Rich characters and unforgettable scenes... This [is] one strange, funny story." --The Dallas Morning News
"A strangely compelling tale... an unsettling but intriguing
meditation on the power of genetics to shape a person's world." --The Providence Journal
"Thematically affecting and exhaustively researched." --Flaunt
"Clean and well-executed... Cooper's exercise in meta-fiction,
and in dredging real family history and heritage... is distinct.
She avoids the insecurity an autobiographical writer faces [in] a
project like this by creating someone else, who does happen to be
a writer, and is therefore able to take the heat in her place." --The Brooklyn Rail
"Every year or so, a novel...
knocks the wind right out of me. This book will be so
well-written, so stunning in scope, so adroit in its character
development... One such title is Lipshitz Six, or Two Angry
Blondes... Cooper is a literary trickster, and like a few other
contemporary writers, sucessfully blurs the boundaries between
fact and fiction... A fantastic--and fantastical--joyride." --Curve Magazine
"Not your typical Jewish immigrants coming to America story." --Jewish Woman Magazine
"Enthralling." --The Baltimore Sun
"An extraordinary and moving family portrait." --Chicago Free Press
"A smart story." --Library Journal
AUTHOR BLURBS:
“T
Cooper travels an enormous distance in this new novel, from
Russian pogrom to middle-class tract living in Texas. This
is a fresh, funky, astutely observed and frankly different
version of the immigrant story, making the most of lost and
found identity in the mix of modern America.”
—Amy Bloom, author of A Blind Man Can See How Much I Love You
“T Cooper is a prodigious talent. This novel is more than just a smart,
stylish page turner; you'll find some of the most audacious thinking in America
today between its covers.”
—Darin Strauss, author of Chang and Eng and The Real McCoy
“It's impossible to stop turning the pages of this endlessly inventive,
exuberantly comic, extravagantly entertaining book. Cooper's take on the American
experience is both wild and unforgettably poignant.”
—Sigrid Nunez, author of The Last of Her Kind
“T Cooper is our new Don DeLillo. This novel is a filament threaded inside
history and lighting it from the inside out.”
—Alexander Chee, author of Edinburgh
“T Cooper is an American original. I love this book.”
—Jennifer Haigh, author of Baker Towers & Mrs. Kimble
“Lipshitz Six, or Two Angry Blondes is a brave novel of poignancy,
reverberations and ingenuity.”
—David Mitchell, author of Cloud Atlas
“A blazing young writer. Funny, engrossing, irreverent.”
—Rona Jaffe, author of The Best of Everything
Click for NEWS
A cursory
summary of the plot:
Lipshitz Six, or Two Angry
Blondes
details the peculiar history
of the Lipshitz family, Russian Jewish refugees
who narrowly survive the bloody Kishinev pogroms
of 1903. Upon landing at Ellis Island four
years later, Esther and Hersh Lipshitz discover
their atypically blond-haired, blue-eyed, five-year-old
son Reuven is missing. After a year-long, fruitless
search for the boy in New York City, the Lipshitz
family relocates to Texas, joining a relative
already living in the state's dusty panhandle.
Over two decades, Esther sporadically ponders the fate of her lost
son, and when she first sees a photograph of the equally blond-haired,
blue-eyed Charles Lindbergh after his 1927 transatlantic flight,
she becomes convinced that the aviator is her son Reuven, now grown
up. Esther's obsession with Lindbergh (Reuven) slowly destroys those
around her and leaves far-reaching, insidious effects on the entire
Lipshitz lineage.
New York City, 2002: Meet 30-year-old T Cooper—the last living
Lipshitz, who has recently received in the mail an unsolicited box
from his estranged mother in Amarillo, Texas. In it, he finds hundreds
of clippings, photographs and letters related to Charles Lindbergh
and his family, all once carefully preserved by T's great-grandmother
Esther. When T is forced back to Texas to bury his suddenly deceased
parents, he finds himself the sole inheritor of a family history
filled with loose ends, factual errors, and decidedly maniacal behavior.
An ex-literary golden boy with a thriving career as a bar mitzvah
entertainer who impersonates the rapper Eminem, T rages against the
world in a struggle to make at least some sense of all that came
before him, and—in light of his wife's persistent desire to
have a baby—what legacy he might leave behind as well.
Read an excerpt
Q & A with T Cooper about Lipshitz
Six, or Two Angry Blondes

Dutton hardcover edition: March 2006
ISBN 0-525-94933-X
(to purchase, visit "buy" link in menu bar)
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