The Los Angeles Times Bestseller
(in both hardcover & paperback)




The only known novel (in any language) about Russian immigrant Jews,
the aviator Charles Lindbergh, and an Eminem-impersonator who performs on the NYC bar mitzvah circuit.


BUY IT HERE


(Plume/Penguin * ISBN 978-0-452-28806-5 * $14)
* * *


Lipshitz 6 a "Star Pick" in PEOPLE Magazine


Lipshitz 6 Wins the NewNowNext Award


Lipshitz 6 honored by THE 2006 BELIEVER Book Awards (May '07 issue)


Lipshitz 6 named as one of the Best Books of 2006
by the Austin Chronicle


Lipshitzes hit PAPERBACK ROW in New York Times (Feb 11, 2007)


Penguin PODCAST with T Cooper HERE


Free READERS GUIDE here



PRAISE for LIPSHITZ SIX, OR TWO ANGRY BLONDES:


"What distinguishes Cooper's take [on the European Jewish diaspora] is its utter lack of sentimentality. No overbearing but ultimately well-meaning Jewish mother figures in Lipshitz Six. Instead, we get Esther Lipshitz... Not since Sophie Portnoy has there been a Jewish mother from quite the same place in hell... This kooky but strangely compelling story...is further enhanced by Cooper's considerable descriptive powers, which bring to life such varied tableaus as a Russian pogrom, a Lower East Side gang fight and a Lindbergh rally in Oklahoma City... [T]he story of Esther...resonates long after the book has been closed."
--The New York Times Book Review


"Whether it's enjoyed as an immigrant saga, a multigenerational family tale or a sly commentary on the phenomenon of fame in our time, Cooper's novel reveals a fresh, engaging voice that will capture the reader's imagination from the first word and hold it to the last." --Book Page


"Cooper's storytelling skills are phenomenal. She effortlessly shifts perspectives, from the unhappy Esther and her downtrodden husband to their gay son, before switching to first person for the coda. Throughout, her experiments are divine: They serve to make this peculiar family feel real." --Time Out New York


"Cooper takes apart the usual Jewish heritage tale and themes of assimilation, touching them with postmodern parody and Chagall-esque folk magic." --Publishers Weekly


"If sexual identity can be cooked up into myriad forms, like rice into sticky balls or candy or paper, and anything categorized as autobiography nowadays is met with skepticism, how do we confront a work that's part dark history and part light-hearted, self-conscious, gender-flexing fiction? T Cooper's second book conjures the conundrum--and casually shrugs it off...

"Full of weary father figures and aptly placed metatextual embellishments, the [first] section [of the novel] could stand alone. But a shorter, codalike section infuses the work with a staggering self-confidence...

"The way Cooper toys with readers is part Sarah Silverman and part Jonathan Safran Foer. Obscuring gender in fiction is nothing new, but Cooper hits her puckish stride when roiling her audience, and then (usually) letting it in on the joke." --The Believer


"Cooper has an affinity for creative liberties, even in anything-goes 21st-century fiction, liberties of a stunning sort... This is not another generic everyday family saga, not when it starts in the Russian pogroms, jogs past Charles Lindbergh and closes with a guy who impersonates rapper Eminem at bar mitzvahs." --Seattle Post Intelligencier


"T Cooper strews ambiguity like clues at a crime scene throughout Lipshitz Six, or Two Angry Blondes... The Lipshitz story is brilliant, and the post-modern coda...offers up a surprising conclusion." --Texas Monthly


"The author's talent lies in his ability to capture the endlessly complex nature of families and their shared memories." --The Washington Post


"A very weird and wonderful quasi-epistolary, quasi-postmodern novel."
--The Santa Fe Reporter



"T's ambitious second novel... [is] in the mold of Jeffrey Eugenides' Middlesex... Gripping." --Booklist


"Flouting literary convention (hurrah)... Acutely and poignantly brings family history into the infinitely complicated present." --Out Magazine


"T Cooper takes postmodern literature to a new pinnacle with this second novel, putting Cooper on par with an elite group of authors like Jonathan Franzen, Dave Eggers, and Jonathan Safran Foer." --Bitch Magazine


"One of the author's strong suits is her people, and she keeps their multiple storylines juggled in the air... Lipshitz Six is a haunting look at the legacy of lost children--those who go missing, those who are murdered, or those who are simply lost to themselves through neglect. Cooper is best when she levels her steady gaze on them, as she does... in the harrowing aftermath of a pogrom. Which is to suggest not that she limit her experimental streak--she's too good and too ambitious a novelist for that." --The Forward


"Rich characters and unforgettable scenes... This [is] one strange, funny story." --The Dallas Morning News


"A strangely compelling tale... an unsettling but intriguing meditation on the power of genetics to shape a person's world." --The Providence Journal


"Thematically affecting and exhaustively researched." --Flaunt


"Clean and well-executed... Cooper's exercise in meta-fiction, and in dredging real family history and heritage... is distinct. She avoids the insecurity an autobiographical writer faces [in] a project like this by creating someone else, who does happen to be a writer, and is therefore able to take the heat in her place." --The Brooklyn Rail


"Every year or so, a novel... knocks the wind right out of me. This book will be so well-written, so stunning in scope, so adroit in its character development... One such title is Lipshitz Six, or Two Angry Blondes... Cooper is a literary trickster, and like a few other contemporary writers, sucessfully blurs the boundaries between fact and fiction... A fantastic--and fantastical--joyride." --Curve Magazine


"Not your typical Jewish immigrants coming to America story."
--Jewish Woman Magazine


"Enthralling." --The Baltimore Sun


"An extraordinary and moving family portrait." --Chicago Free Press


"A smart story." --Library Journal



AUTHOR BLURBS:

“T Cooper travels an enormous distance in this new novel, from Russian pogrom to middle-class tract living in Texas. This is a fresh, funky, astutely observed and frankly different version of the immigrant story, making the most of lost and found identity in the mix of modern America.”

Amy Bloom, author of A Blind Man Can See How Much I Love You


“T Cooper is a prodigious talent. This novel is more than just a smart, stylish page turner; you'll find some of the most audacious thinking in America today between its covers.”

Darin Strauss, author of Chang and Eng and The Real McCoy


“It's impossible to stop turning the pages of this endlessly inventive, exuberantly comic, extravagantly entertaining book. Cooper's take on the American experience is both wild and unforgettably poignant.”

Sigrid Nunez, author of The Last of Her Kind


“T Cooper is our new Don DeLillo. This novel is a filament threaded inside history and lighting it from the inside out.”

Alexander Chee, author of Edinburgh


“T Cooper is an American original. I love this book.”

Jennifer Haigh, author of Baker Towers & Mrs. Kimble


Lipshitz Six, or Two Angry Blondes is a brave novel of poignancy, reverberations and ingenuity.”

David Mitchell, author of Cloud Atlas


“A blazing young writer. Funny, engrossing, irreverent.”

Rona Jaffe, author of The Best of Everything


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A cursory summary of the plot:

Lipshitz Six, or Two Angry Blondes details the peculiar history of the Lipshitz family, Russian Jewish refugees who narrowly survive the bloody Kishinev pogroms of 1903. Upon landing at Ellis Island four years later, Esther and Hersh Lipshitz discover their atypically blond-haired, blue-eyed, five-year-old son Reuven is missing. After a year-long, fruitless search for the boy in New York City, the Lipshitz family relocates to Texas, joining a relative already living in the state's dusty panhandle.

Over two decades, Esther sporadically ponders the fate of her lost son, and when she first sees a photograph of the equally blond-haired, blue-eyed Charles Lindbergh after his 1927 transatlantic flight, she becomes convinced that the aviator is her son Reuven, now grown up. Esther's obsession with Lindbergh (Reuven) slowly destroys those around her and leaves far-reaching, insidious effects on the entire Lipshitz lineage.

New York City, 2002: Meet 30-year-old T Cooper—the last living Lipshitz, who has recently received in the mail an unsolicited box from his estranged mother in Amarillo, Texas. In it, he finds hundreds of clippings, photographs and letters related to Charles Lindbergh and his family, all once carefully preserved by T's great-grandmother Esther. When T is forced back to Texas to bury his suddenly deceased parents, he finds himself the sole inheritor of a family history filled with loose ends, factual errors, and decidedly maniacal behavior.

An ex-literary golden boy with a thriving career as a bar mitzvah entertainer who impersonates the rapper Eminem, T rages against the world in a struggle to make at least some sense of all that came before him, and—in light of his wife's persistent desire to have a baby—what legacy he might leave behind as well.

Read an excerpt



Q & A with T Cooper about Lipshitz Six, or Two Angry Blondes


Dutton hardcover edition: March 2006
ISBN 0-525-94933-X
(to purchase, visit "buy" link in menu bar)

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